Author: Date: Subject:
Eeyore
2008-07-08 13:33:35
Servicing a Midas Venice
I finally got round to properly opening up my local venue's old Midas
Venice with a view to replacing a few scratchy and intermittent pots.
I had a rough expectation of what to expect internally having seen
inside more than a few consoles.
I was however utterly stunned by this one.
Those familiar with the art of M C Escher
http://en.wikipedia.org/wiki/Maurits_Cornelis_Escher
Would immediately recognise his influence.
How about connectors mounted on the opposite side of the board that
faces you for example ?
The way it's built, I can only assume they must have some kind of
assembly jig, because no way could human hands reach some of those
connectors once the pcbs are bolted to the panels.
My suspicion is that the only possible way to go any futher is to
unscrew EVERY connector on the rear connector panel just to be able to
access the connectors that link them to the channel pcbs, so as to be
sure of re-connecting them properly on re-assembly.
And this was done largely AFAICS so that 'everything' on those pcbs
could go through a flow solder machine. Have they never heard of masking
certain portions of a board so as to have some components on the side ?
I'm stunned. And there's other overkill stuff too.
Graham
Author: Date: Subject:
Don Pearce
2008-07-08 13:37:54
Re: Servicing a Midas Venice
Eeyore wrote:
> I finally got round to properly opening up my local venue's old Midas
> Venice with a view to replacing a few scratchy and intermittent pots.
>
> I had a rough expectation of what to expect internally having seen
> inside more than a few consoles.
>
> I was however utterly stunned by this one.
>
> Those familiar with the art of M C Escher
> http://en.wikipedia.org/wiki/Maurits_Cornelis_Escher
>
> Would immediately recognise his influence.
>
> How about connectors mounted on the opposite side of the board that
> faces you for example ?
>
> The way it's built, I can only assume they must have some kind of
> assembly jig, because no way could human hands reach some of those
> connectors once the pcbs are bolted to the panels.
>
> My suspicion is that the only possible way to go any futher is to
> unscrew EVERY connector on the rear connector panel just to be able to
> access the connectors that link them to the channel pcbs, so as to be
> sure of re-connecting them properly on re-assembly.
>
> And this was done largely AFAICS so that 'everything' on those pcbs
> could go through a flow solder machine. Have they never heard of masking
> certain portions of a board so as to have some components on the side ?
>
> I'm stunned. And there's other overkill stuff too.
>
> Graham
>
No good posting a link to Escher - we know all about him. How about a
piccy of what you have found? Much more to the point
d
Author: Date: Subject:
Eeyore
2008-07-08 14:27:33
Re: Servicing a Midas Venice
Don Pearce wrote:
> No good posting a link to Escher - we know all about him.
I'm not so sure the Americans do though..
Will see what I can do about a pic, but the things is such a mess it may be
tricky.
Graham
Author: Date: Subject:
Don Pearce
2008-07-08 14:31:43
Re: Servicing a Midas Venice
Eeyore wrote:
>
> Don Pearce wrote:
>
>> No good posting a link to Escher - we know all about him.
>
> I'm not so sure the Americans do though..
>
They certainly don't know about Heath Robinson, though. They have this
bloke called Rube Goldberg...
d
Author: Date: Subject:
Eeyore
2008-07-08 14:50:37
Re: Servicing a Midas Venice
Don Pearce wrote:
> Eeyore wrote:
>
> > Don Pearce wrote:
> >
> >> No good posting a link to Escher - we know all about him.
> >
> > I'm not so sure the Americans do though..
>
> They certainly don't know about Heath Robinson, though. They have this
> bloke called Rube Goldberg...
Oh indeed. I only discovered him a year or two ago through Usenet in fact
IIRC and the Swiss have the inimitable Tinguely.
http://en.wikipedia.org/wiki/Jean_Tinguely
I went to an exhibition of his 'art' once at the Tate. It was nuts, in the
nicest possible way.
Graham
Author: Date: Subject:
Don Pearce
2008-07-08 14:58:13
Re: Servicing a Midas Venice
Eeyore wrote:
>
> Don Pearce wrote:
>
>> Eeyore wrote:
>>
>>> Don Pearce wrote:
>>>
>>>> No good posting a link to Escher - we know all about him.
>>> I'm not so sure the Americans do though..
>> They certainly don't know about Heath Robinson, though. They have this
>> bloke called Rube Goldberg...
>
> Oh indeed. I only discovered him a year or two ago through Usenet in fact
> IIRC and the Swiss have the inimitable Tinguely.
>
> http://en.wikipedia.org/wiki/Jean_Tinguely
>
> I went to an exhibition of his 'art' once at the Tate. It was nuts, in the
> nicest possible way.
>
> Graham
>
Yup, but this is really just objet-trouve art. The Heath Robinson stuff
is machines with a purpose, that you can follow the logic of, laughing
at the silliness of it.
d
Author: Date: Subject:
liquidator
2008-07-08 12:42:07
Re: Servicing a Midas Venice
"Eeyore" <[email protected]> wrote in message
news:48736B45.A8449090@hotmail.com...
>
>
> Don Pearce wrote:
>
> > No good posting a link to Escher - we know all about him.
>
> I'm not so sure the Americans do though..
>
> Will see what I can do about a pic, but the things is such a mess it may
be
> tricky.
>
> Graham
>
Escher had a pretty heavy period of popularity here during the psychelic
days. So those who survived the late 60's early 70's with some brain cells
left are fairly familiar with his work.
Enough that I went and bought a fairly expensive book containing a
collection of his work. Prolly still have it.
Wasn't he a technical illustrator in his regular job? Thought I read that.
Author: Date: Subject:
Eeyore
2008-07-08 22:11:58
Re: Servicing a Midas Venice
liquidator wrote:
> "Eeyore" <[email protected]> wrote
> > Don Pearce wrote:
> >
> > > No good posting a link to Escher - we know all about him.
> >
> > I'm not so sure the Americans do though..
> >
> > Will see what I can do about a pic, but the things is such a mess it may
> > be tricky.
>
> Escher had a pretty heavy period of popularity here during the psychelic
> days. So those who survived the late 60's early 70's with some brain cells
> left are fairly familiar with his work.
>
> Enough that I went and bought a fairly expensive book containing a
> collection of his work. Prolly still have it.
>
> Wasn't he a technical illustrator in his regular job? Thought I read that.
Yes, I believe you're broadly correct there.
Fascinating art though.
Graham
Author: Date: Subject:
Arny Krueger
2008-07-08 09:46:17
Re: Servicing a Midas Venice
"Don Pearce" <[email protected]> wrote in message
news:[email protected]
> Eeyore wrote:
>> I finally got round to properly opening up my local
>> venue's old Midas Venice with a view to replacing a few
>> scratchy and intermittent pots. I had a rough expectation of what to
>> expect internally
>> having seen inside more than a few consoles.
>>
>> I was however utterly stunned by this one.
>>
>> Those familiar with the art of M C Escher
>> http://en.wikipedia.org/wiki/Maurits_Cornelis_Escher
>>
>> Would immediately recognise his influence.
>>
>> How about connectors mounted on the opposite side of the
>> board that faces you for example ?
>>
>> The way it's built, I can only assume they must have
>> some kind of assembly jig, because no way could human
>> hands reach some of those connectors once the pcbs are
>> bolted to the panels. My suspicion is that the only possible way to go
>> any
>> futher is to unscrew EVERY connector on the rear
>> connector panel just to be able to access the connectors
>> that link them to the channel pcbs, so as to be sure of
>> re-connecting them properly on re-assembly. And this was done largely
>> AFAICS so that 'everything' on
>> those pcbs could go through a flow solder machine. Have
>> they never heard of masking certain portions of a board
>> so as to have some components on the side ? I'm stunned. And there's
>> other overkill stuff too.
> No good posting a link to Escher - we know all about him.
> How about a piccy of what you have found? Much more to
> the point
Agreed. Digital cameras are very cheap and effective for the purpose.
I've got a Canon SD1000 that amazes me every time I download my last load of
pics.
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